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What's
the next thing we can see you appearing in?
Reruns
for now. I moved from Los Angeles in ‘94, which, for the most part,
has taken me out of the running for many of the new shows. But the biz
is unpredictable. Much of my work has been handed to me. Steven Spielberg
offered me the female lead in his first “Amazing Stories”
episode, Martha Williamson asked me to guest star on “Touched
by an Angel,” and, back in 1990, Don Reo, sitting on a beach in
Hawaii, thought of me to fill the role of Sharon Lemure on “Blossom.”
Therefore, it's hard to say, but as soon as I know, I'll drop you a
line. Okay?
—From the Blossom
page
How
may I obtain an autographed picture?
At
this time, I've put autographing pictures on hold. However, thank you for your inquiry!
—From
the MASH
page
How
long does it take to produce a sitcom episode?
Writers
work on the scripts on and off for months. Once the script arrives,
it takes a week to shoot. Here's a thumbnail sketch of a typical workweek.
On day one, we do a cold reading then “block” the first act,
meaning to put the dialogue on its feet, rehearsing with the director,
moving around the set, etc. At 5:00, we do a run-through for the producers/writers.
On day two, we receive a revised script and begin blocking the second
act. The first act is cleaned up and, again, we do a run-through at
5:00. This is a major rewrite night for the writers. On day three, we
receive the script's final rewrite. We do a final table reading—working
through any changes in the acts. The director finishes his notes on
camera moves and angles. Day four is camera-blocking day. This is a
technical day. Camera, lighting, and audio are rehearsed on this day.
And on day five, we tape two shows in front of live audiences.
—From the Blossom
page
Why
didn't Danny and Vicky get married on "Full House?"
When I came onboard, “Full House” was a top-20 show with no
signs of letting up, consequently, my character was little more than
icing on the cake. When I read for the part, I thought it was for four
episodes only, so the fact that it became a recurring role for several
years was quite a blessing. At the time, the writers had to accommodate
10 series regulars per episode — that's a lot of character juggling
for a 22-minute show. Since the relationship between Saget and I was
far from driving the series, it was probably a strategic move to cut
me loose and throw some of that much-needed time back to the other actors
and future guest stars.
In
addition, I'm not sure that the writers wanted to marry off Bob’s
character as it would destroy his image of a bachelor trying to raise
a house full of kids. Can’t say I blame them as shows like this—where
they finally find their “other half”—usually don't last.
—From
the Full
House page
About
this Site...
When
my site initially launched in ‘99, I only expected a handful of
responses. To my amazement, it has had thousands of hits—resulting
in numerous questions and heartfelt compliments. Thanks! I answered
many e-mails, but soon found myself reiterating the same answers to
many similar questions. Hence, I hope this updated site may be something
you'll enjoy viewing. 10/01
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